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#!CSeaGreen #!N #!Rvolrnd Volume Rendering #!N #!EC #!N #!N Another way
to examine data collected throughout a volume of space is called
#!F-adobe-times-medium-i-normal--18* volume rendering #!EF . Imagine a glass bowl full of
lemon gelatin. Holding it up to a light, you can see
through the gelatin because it is somewhat translucent. Now imagine that
you have added strawberries to the bowl of gelatin before it
set up. You can see the strawberries embedded in the gelatin.
What is really happening, visually? Light shines through the mass of
gelatin "accumulating" color. If you look through the top corner, it
will appear somewhat less yellow than if you look through the
thickest part. If the light strikes a strawberry as it passes
through the gelatin, your eyes will detect an orange object with
a distinct outline, which of course enables us to find the
location of the strawberries in the volume of gelatin. The strawberry
appears orange because its red color is partly occluded by the
yellow gelatin: nevertheless, our brains convert the strawberry color back to
red because it is a familiar object. If someone has added
a fruit unfamiliar to you, you will have a hard time
identifying the true color of the fruit, since our brains are
not good at performing subtractive color calculations. #!N #!N Volume rendering
a data space yields an image something like our bowl of
gelatin. By default, a volume rendering appears somewhat transparent. As light
passes through from behind the volume toward your eye, it is
absorbed more in areas of densely concentrated values. These areas will
appear to be more "opaque." If you color-map your volume according
to the data component, you will see indistinct colored areas in
their relation to each other. For more detail on the "dense
emitter" model used by Data Explorer, see #!Lopacom,dxall208 h Opacities Component #!EL . #!N #!N
If we are looking for those areas of rain formation within
a rain cloud data volume, we do not have a built-in
conception of the "correct" color for such an area. The colors
assigned will come from the color map we construct. If we
map the 12 degree C area to red, as in the
example above, the red-colored rain-forming areas seen through a yellow cloud
will, in fact, be perceived as orange areas. We can temporarily
hide the yellow cloud (by changing its opacity to 0.0 and
its color to black) and entrain ourselves to see the red
regions by themselves. #!N #!N This is a fine point of
perception, but it is important to be aware of. Perception of
natural objects is greatly modified by psychological memories and judgements about
their "correctness" in size, color, mass, and relationship to each other.
Once we move into the abstract world of visualization, we have
no firm psychological constructs on which to base our perceptions. While
this may imply that we are working with a "clean slate"--no
preconceptions, and an unbiased scientific viewpoint--just the opposite happens: we seek
to impose interpretation on the scene and may ascribe invalid attributes
to objects as we try to derive "meaning" from the scene.
On one hand, this is precisely why we imaged the volume
in the first place! We want to derive patterns or shape
and then figure out why they exist. On the other hand,
we can be fooled by our own eyes if we are
not very careful to comprehend and explain to others exactly the
assumptions we make as we convert our sample numbers into colored
images. #!N #!N By the way, you won't find a specific
module named VolumeRendering. As it happens, any volumetric Field can be
directly rendered by the Image module or the Render or Display
modules. So if you simply Import your volumetric data, run it
through AutoColor, and attach it to Image, you will get a
colored volume rendering of your data space. #!N #!N #!N #!F-adobe-times-medium-i-normal--18*
Next Topic #!EF #!N #!N #!Lall608,dxall609 h Design for Interactive Use #!EL #!N #!F-adobe-times-medium-i-normal--18* #!N
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