/usr/share/puredata/doc/3.audio.examples/F05.ring.modulation.pd is in puredata-doc 0.47.1-3.
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#X restore 499 22 graph;
#X text 552 349 ---- 0.02 seconds ----;
#X text 507 563 updated for Pd version 0.37;
#X text 495 155 0;
#X text 534 174 -- partial number --;
#X text 761 142 0;
#X text 758 19 0.5;
#X floatatom 51 61 0 0 100 0 - - -;
#N canvas 329 22 680 421 pulse-train 0;
#X obj 184 348 line~;
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#X obj 184 252 / 10;
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#X msg 184 300 0;
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#X obj 39 341 +~ 1;
#X obj 184 228 inlet;
#X obj 39 389 outlet~;
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#X text 53 5 This is a modified version of the pulse train generator
from two examples back.;
#X text 107 140 We have to add 1/2 and wrap so that the center of the
pulse comes at phase zero (previously it was 1/2 cycle out of phase).
This wasn't a problem before but now we have to be in phase with the
oscillator we're multpplying with.;
#X text 276 262 otherwise it's the same as before.;
#X obj 40 85 phasor~;
#X obj 40 58 r freq;
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#X restore 51 86 pd pulse-train;
#X text 83 61 <-- bandwidth;
#X obj 51 219 *~;
#X text 113 123 <-- modulation frequency as;
#X text 152 137 multiple of fundamental;
#X obj 51 277 output~;
#X obj 50 246 hip~;
#N canvas 122 211 563 534 fft 0;
#X obj 19 61 inlet~;
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#X text 93 93 Fourier series;
#X text 98 146 magnitude;
#X text 96 131 calculate;
#X text 21 3 This subpatch computes the spectrum of the incoming signal
with a (rectangular windowed) FFT. FFTs aren't properly introduced
until much later.;
#X text 83 61 signal to analyze;
#X text 193 164 delay two samples;
#X text 191 182 for better graphing;
#X obj 264 434 samplerate~;
#X obj 245 262 metro 500;
#X obj 245 233 inlet;
#X text 298 231 toggle to graph repeatedly;
#X text 262 212 bang to graph once;
#X obj 29 205 /~ 4096;
#X obj 264 409 bang~;
#X obj 264 483 s freq;
#X obj 264 457 / 256;
#X obj 19 295 tabwrite~ F05-signal;
#X obj 245 294 tabwrite~ F05-spectrum;
#X msg 224 321 \; pd dsp 1;
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#X text 179 244 <-- repeatedly;
#X text 180 224 <-- graph once;
#X text 527 155 2;
#X text 559 155 4;
#X text 591 155 6;
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#X text 656 155 10;
#X text 688 155 12;
#X text 719 155 14;
#X text 759 213 1;
#X text 759 337 -1;
#X text 122 185 modulating oscillator;
#X text 153 6 RING MODULATED PULSE TRAINS;
#X text 23 357 Now we take a pulse train and ring modulate it \, which
effectively aliases the spectrum so that it is centered at any desired
partial number. The "bandwidth" control still affects the shape of
the peak \, independently of where it is centered. This generates a
formant centered at the given partial.;
#X floatatom 73 123 0 0 100 0 - - -;
#X obj 73 182 osc~;
#X obj 73 157 *;
#X obj 107 157 r freq;
#X text 23 457 This patch is limited to making formants centered on
harmonics. The center frequency thus can't be moved smoothly up and
down at will (try shift-clicking on modulation frequency to make fractions).
Next we'll look at two techniques for sliding a formant frequency without
losing harmonicity.;
#X text 184 85 <-- pulse train;
#X text 220 101 generator from before;
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