This file is indexed.

/usr/share/doc/xmms2-plugin-sid/copyright is in xmms2-plugin-sid 0.8+dfsg-14build3.

This file is owned by root:root, with mode 0o644.

The actual contents of the file can be viewed below.

  1
  2
  3
  4
  5
  6
  7
  8
  9
 10
 11
 12
 13
 14
 15
 16
 17
 18
 19
 20
 21
 22
 23
 24
 25
 26
 27
 28
 29
 30
 31
 32
 33
 34
 35
 36
 37
 38
 39
 40
 41
 42
 43
 44
 45
 46
 47
 48
 49
 50
 51
 52
 53
 54
 55
 56
 57
 58
 59
 60
 61
 62
 63
 64
 65
 66
 67
 68
 69
 70
 71
 72
 73
 74
 75
 76
 77
 78
 79
 80
 81
 82
 83
 84
 85
 86
 87
 88
 89
 90
 91
 92
 93
 94
 95
 96
 97
 98
 99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
This package was debianized by Florian Ragwitz <rafl@debian.org>
on  Fri, 31 Mar 2006 19:29:57 +0200

It's based on unofficial packages by Jens Taprogge
<jens.taprogge@post.rwth-aachen.de> on Tue, 10 May 2005 22:49:19 +0200.

It was downloaded from http://xmms2.xmms.org/

Copyright:

Most of the code is Copyright (C) 2003-2008 XMMS2 Team and licensed under the
GNU Lesser General Public License (LGPL).

This library is free software; you can redistribute it and/or
modify it under the terms of the GNU Lesser General Public
License as published by the Free Software Foundation; either
version 2.1 of the License, or (at your option) any later version.

This library is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU
Lesser General Public License for more details.

That means plugins are not considered to be derived work.

On Debian GNU/Linux systems, the complete text of the GNU Lesser General Public
License can be found in /usr/share/common-licenses/LGPL-2.1.


Some parts of the code have other copyright holders or licenses:

README, INSTALL:
        Licensed under GFDL without unmodifiable sections.

manpages (src/clients/cli/xmms2.1, src/clients/et/xmms2-et.1,
          src/clients/launcher/xmms2-launcher.1,
          src/clients/mdns/avahi/xmms2-mdns-avahi.1,
          src/xmms/xmms2d.1
          src/clients/nycli/nyxmms2.1):
        Licensed under BSD license

silence-cellule_snippet.ogg:
        Licensed under the LAL
        Copyright (C) 2006 Silence
        http://www.jamendo.com/en/album/830

src/plugins/mad/*.[ch]:
        Licensed under GPL license.

src/plugins/mad/xing.c:
        Uses code base on/copied from madplay:
        Copyright (C) 2000-2004 Robert Leslie

src/plugins/mp4/mp4.c:
        Licensed under GPL license.

src/plugins/mp4/mp4ff/drms*:
        Copyright (C) 2004 VideoLAN
        Licensed under GPL license.

src/plugins/mp4/mp4ff/mp4*:
        Copyright (C) 2003-2004 M. Bakker, Ahead Software AG, http://www.nero.com
        Licensed under GPL license.

src/plugins/sid/*:
        Licensed under GPL license.

src/plugins/sid/md5.*:
        Copyright (C) 1999 Aladdin Enterprises.
        Licensed under BSD-style license.

src/plugins/equalizer/eq.c:
        Licensed under GPL license.

src/plugins/equalizer/iir*:
        Copyright (C) 2002-2006 Felipe Rivera <liebremx@users.sourceforge.net>
        Licensed under GPL license.

src/plugins/vocoder/vocoder.c:
        Licensed under GPL license.

src/plugins/vocoder/pvocoder*:
        Copyright (C) 2006 Juho Vähä-Herttua <juhovh@iki.fi>
        Licensed under GPL license.

src/plugins/asf/libasf/*:
        Copyright (C) 2006-2007 Juho Vähä-Herttua <juhovh@iki.fi>

src/plugins/ices/*:
        Licensed under GPL license.

src/plugins/ices/encode.*:
        Copyright (c) 2001 Michael Smith <msmith@labyrinth.net.au>

src/plugins/jack/jack.c:
        Copyright (C) 2004  Chris Morgan <cmorgan@alum.wpi.edu>

src/plugins/normalise/compress*
        Copyright (C) 2002-2003 trikuare studios (http://trikuare.cx)

src/plugins/daap/daap_md5.*:
        Copyright (C) 2004,2005 Charles Schmidt <cschmidt2@emich.edu>
        Licensed under GPL license.
        Uses code base on/copied from libopendaap:
        Copyright (c) 2004 David Hammerton

src/plugins/daap/*:
        Licensed under GPL license.

src/plugins/normalize/compress*:
        Copyright (C) 2002-2003 trikuare studios (http://trikuare.cx)

src/plugins/airplay/rtsp*:
        Copyright (C) <2005> Wim Taymans <wim@fluendo.com>

src/plugins/airplay/airplay.c:
        Copyright (C) 2005-2006 Mohsin Patel <mohsin.patel@gmail.com>

src/includepriv/xmmspriv/xmms_list.h:
        Copyright (C) 1995-1997  Peter Mattis, Spencer Kimball and Josh MacDonald

src/xmms/bindata.c:
        Partially: Copyright (C) 1999, 2000, 2002 Aladdin Enterprises.  All rights reserved.
        Licensed under BSD license.

wafadmin/:
        Copyright (C) 2005 Thomas Nagy
        Licensed under BSD license.

wafadmin/libtool_config.py:
        Copyright (C) 2006  Matthias Jahn <jahn.matthias@freenet.de>

wafadmin/pproc.py:
        Copyright (C) 2003-2004 by Peter Astrand <astrand@lysator.liu.se>

src/clients/nycli/:
        Licensed under GPL license.

src/clients/lib/perl/:
        Copyright (C) 2006-2007 Florian Ragwitz <rafl@debian.org>
        Licensed under the same terms as Perl itself.

src/clients/lib/perl/ppport.h:
        2004-2007, Marcus Holland-Moritz
        Licensed under the same terms as Perl itself.

src/plugins/gme/gme/*
        Game_Music_Emu library copyright (C) 2003-2006 Shay Green <gblargg@gmail.com>.
        SNES SPC DSP emulator based on OpenSPC, copyright (C) 2002 Brad Martin.
        Sega Genesis YM2612 emulator copyright (C) 2002 Stephane Dallongeville.

src/plugins/karaoke/*
        Heavily based on DeFX, copyright (C) 2002 Franco Catrin L. <ancelot@directo.cl>.
        Licensed under GPL license.

src/plugins/samba/samba.c
        Licensed under the GPL

src/plugins/faad/faad.c
        Licensed under the GPL

Modifications to the above files are Copyright (C) 2003-2008 XMMS2 Team.


A list of all contributors is available in the AUTHORS file.


Some pieces of code are licensed under the GNU General Public License (GPL):

This program is free software; you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.

This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
GNU General Public License for more details.


The manpages in doc/ are licensed under the BSD license:

Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions
are met:
1. Redistributions of source code must retain the above copyright
   notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright
   notice, this list of conditions and the following disclaimer in the
   documentation and/or other materials provided with the distribution.
3. Neither the name of the University nor the names of its contributors
   may be used to endorse or promote products derived from this software
   without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE REGENTS AND CONTRIBUTORS ``AS IS'' AND
ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED.  IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
SUCH DAMAGE.

silence-cellule_snippet.ogg is licensed under Free Art License:

[ Copyleft Attitude ]

Free Art License 1.3 (FAL 1.3)

Preamble

The Free Art License grants the right to freely copy, distribute, and transform
creative works without infringing the author's rights.

The Free Art License recognizes and protects these rights. Their implementation
has been reformulated in order to allow everyone to use creations of the human
mind in a creative manner, regardless of their types and ways of expression.

While the public's access to creations of the human mind usually is restricted
by the implementation of copyright law, it is favoured by the Free Art License.
This license intends to allow the use of a work’s resources; to establish new
conditions for creating in order to increase creation opportunities. The Free
Art License grants the right to use a work, and acknowledges the right holder’s
and the user’s rights and responsibility.

The invention and development of digital technologies, Internet and Free
Software have changed creation methods: creations of the human mind can
obviously be distributed, exchanged, and transformed. They allow to produce
common works to which everyone can contribute to the benefit of all.

The main rationale for this Free Art License is to promote and protect these
creations of the human mind according to the principles of copyleft: freedom to
use, copy, distribute, transform, and prohibition of exclusive appropriation.

Definitions

“work” either means the initial work, the subsequent works or the common work
as defined hereafter:

“common work” means a work composed of the initial work and all subsequent
contributions to it (originals and copies). The initial author is the one who,
by choosing this license, defines the conditions under which contributions are
made.

“Initial work” means the work created by the initiator of the common work (as
defined above), the copies of which can be modified by whoever wants to

“Subsequent works” means the contributions made by authors who participate in
the evolution of the common work by exercising the rights to reproduce,
distribute, and modify that are granted by the license.

“Originals” (sources or resources of the work) means all copies of either the
initial work or any subsequent work mentioning a date and used by their
author(s) as references for any subsequent updates, interpretations, copies or
reproductions.

“Copy” means any reproduction of an original as defined by this license.

1. OBJECT
The aim of this license is to define the conditions under which one can use
this work freely.

2. SCOPE
This work is subject to copyright law. Through this license its author
specifies the extent to which you can copy, distribute, and modify it.

2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)
You have the right to copy this work for yourself, your friends or any other
person, whatever the technique used.

2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC
You have the right to distribute copies of this work; whether modified or not,
whatever the medium and the place, with or without any charge, provided that
you:
attach this license without any modification to the copies of this work or
indicate precisely where the license can be found,
specify to the recipient the names of the author(s) of the originals, including
yours if you have modified the work,
specify to the recipient where to access the originals (either initial or
subsequent).
The authors of the originals may, if they wish to, give you the right to
distribute the originals under the same conditions as the copies.

2.3 FREEDOM TO MODIFY
You have the right to modify copies of the originals (whether initial or
subsequent) provided you comply with the following conditions:
all conditions in article 2.2 above, if you distribute modified copies;
indicate that the work has been modified and, if it is possible, what kind of
modifications have been made;
distribute the subsequent work under the same license or any compatible license.
The author(s) of the original work may give you the right to modify it under the
same conditions as the copies.

3. RELATED RIGHTS
Activities giving rise to author’s rights and related rights shall not
challenge the rights granted by this license.
For example, this is the reason why performances must be subject to the same
license or a compatible license. Similarly, integrating the work in a database,
a compilation or an anthology shall not prevent anyone from using the work
under the same conditions as those defined in this license.

4. INCORPORATION OF THE WORK
Incorporating this work into a larger work that is not subject to the Free Art
License shall not challenge the rights granted by this license.
If the work can no longer be accessed apart from the larger work in which it is
incorporated, then incorporation shall only be allowed under the condition that
the larger work is subject either to the Free Art License or a compatible
license.

5. COMPATIBILITY
A license is compatible with the Free Art License provided:
it gives the right to copy, distribute, and modify copies of the work including
for commercial purposes and without any other restrictions than those required
by the respect of the other compatibility criteria;
it ensures proper attribution of the work to its authors and access to previous
versions of the work when possible;
it recognizes the Free Art License as compatible (reciprocity);
it requires that changes made to the work be subject to the same license or to
a license which also meets these compatibility criteria.

6. YOUR INTELLECTUAL RIGHTS
This license does not aim at denying your author's rights in your contribution
or any related right. By choosing to contribute to the development of this
common work, you only agree to grant others the same rights with regard to your
contribution as those you were granted by this license. Conferring these rights
does not mean you have to give up your intellectual rights.

7. YOUR RESPONSIBILITIES
The freedom to use the work as defined by the Free Art License (right to copy,
distribute, modify) implies that everyone is responsible for their own actions.

8. DURATION OF THE LICENSE
This license takes effect as of your acceptance of its terms. The act of
copying, distributing, or modifying the work constitutes a tacit agreement.
This license will remain in effect for as long as the copyright which is
attached to the work. If you do not respect the terms of this license, you
automatically lose the rights that it confers.
If the legal status or legislation to which you are subject makes it impossible
for you to respect the terms of this license, you may not make use of the
rights which it confers.

9. VARIOUS VERSIONS OF THE LICENSE
This license may undergo periodic modifications to incorporate improvements by
its authors (instigators of the “Copyleft Attitude” movement) by way of new,
numbered versions.
You will always have the choice of accepting the terms contained in the version
under which the copy of the work was distributed to you, or alternatively, to
use the provisions of one of the subsequent versions.

10. SUB-LICENSING
Sub-licenses are not authorized by this license. Any person wishing to make use
of the rights that it confers will be directly bound to the authors of the
common work.

11. LEGAL FRAMEWORK
This license is written with respect to both French law and the Berne
Convention for the Protection of Literary and Artistic Works.

USER GUIDE

- How to use the Free Art License?
To benefit from the Free Art License, you only need to mention the following
elements on your work:
[Name of the author, title, date of the work. When applicable, names of authors
of the common work and, if possible, where to find the originals].
Copyleft: This is a free work, you can copy, distribute, and modify it under
the terms of the Free Art License http://artlibre.org/licence/lal/en/

- Why to use the Free Art License?
1.To give the greatest number of people access to your work.
2.To allow it to be distributed freely.
3.To allow it to evolve by allowing its copy, distribution, and transformation
by others.
4.So that you benefit from the resources of a work when it is under the Free
Art License: to be able to copy, distribute or transform it freely.
5.But also, because the Free Art License offers a legal framework to disallow
any misappropriation. It is forbidden to take hold of your work and bypass the
creative process for one's exclusive possession.

- When to use the Free Art License?
Any time you want to benefit and make others benefit from the right to copy,
distribute and transform creative works without any exclusive appropriation,
you should use the Free Art License. You can for example use it for scientific,
artistic or educational projects.

- What kinds of works can be subject to the Free Art License?
The Free Art License can be applied to digital as well as physical works.
You can choose to apply the Free Art License on any text, picture, sound,
gesture, or whatever sort of stuff on which you have sufficient author's
rights.

- Historical background of this license:
It is the result of observing, using and creating digital technologies, free
software, the Internet and art. It arose from the “Copyleft Attitude” meetings
which took place in Paris in 2000. For the first time, these meetings brought
together members of the Free Software community, artists, and members of the
art world. The goal was to adapt the principles of Copyleft and free software
to all sorts of creations. http://www.artlibre.org

Copyleft Attitude, 2007.
You can make reproductions and distribute this license verbatim (without any
changes).